Josef und sein technikolorer Traummantel - meaning and definition. What is Josef und sein technikolorer Traummantel
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What (who) is Josef und sein technikolorer Traummantel - definition

1911 FILM DIRECTED BY WALTER FRIEDMANN
Der Mueller und sein Kind; Der Muller und sein Kind

Josef Lanzendörfer         
OLYMPIC BOBSLEDDER
Josef Lanzendoerfer; Josef Lanzendorfer
Josef Lanzendörfer (born 24 March 1907; date of death unknown) was a bobsledder who competed for Czechoslovakia in the mid-1930s. He won a silver medal in the two-man event at the 1935 FIBT World Championships in Igls.
Josef Váňa         
  • Josef Váňa
CZECH JOCKEY AND LOCAL POLITICIAN
Josef Vana; Josef VaNa
Josef Váňa (born 20 October 1952 in Slopné) is a Czech steeplechase jockey, horse breeder and trainer. As the eight-time winner of the Velká pardubická steeplechase he is considered one of the greatest personalities of the horse racing sport.
Josef Rejfíř         
CZECH CHESS PLAYER (1909-1962)
Josef Rejfir; Josef Rejfiř
Josef Rejfiř (22 September 1909 – 4 May 1962) was one of Czechoslovakia's strongest chess players before World War II.

Wikipedia

Der Müller und sein Kind

Der Müller und sein Kind (The Miller and His Child) is a silent film released in 1911 and is the oldest Austrian drama film to survive in its entirety. It was produced by the Österreichisch-Ungarische Kinoindustrie, which later in 1911 changed its name to the Wiener Kunstfilm-Industrie. The same company had filmed the same plot the previous year, but no footage from that earlier version survives.

The film is based on the late Romantic supernatural melodrama by German playwright Ernst Raupach, a very popular work that was first performed to great acclaim in 1830 at the Burgtheater in Vienna. Thereafter it was performed in many theatres at Halloween well into the 20th century. The film had its premiere on 21 October 1911 in Vienna.

According to the producers the film had a length of around 600 metres, on 35 mm nitrate film. The drama was filmed in 19 scenes, and at a projection speed of 16 frames per second, common in early silent films, lasted 21 minutes and 50 seconds. Although the Filmarchiv Austria, which preserves the film, has 150 metres less, the action of the film is nevertheless complete, although the ends of the individual reels are too abrupt, and the end of scene 19 is missing.

Technical direction was by Joseph Delmont, later a director of animal films and crime films, who among other things operated the camera by hand crank.